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The crowd cooled its heels during the opening set of the Eels as singer and guitarist E goofed on the audience, played a piano with his feet and dug into squeaky guitar feedback during a jocular, low-key show.
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Challenged by the complicated, frothy sound of deejay samples, bongo drums and dueling guitars, Schellenbach’s high style was usually overshadowed. The material from that record never touched the cool whimsy and feminist vibe of older songs such as “Energy Sucker,” with its proud and defiant lyrics: “Hey, energy sucker / I’m a goddess, not your mother.” Keyboardist Vivian Trimble managed to eke out seductive noodles, but drummer Kate Schellenbach emerged as the member who could stretch a simple, slow-coasting episode into one of powerful complexity. Looking for The Verve, Blind melon, Beth Hart, Patty Griffin, Luscious Jackson, Indigo Girls, Beth Orton, Alanis, Jann Arden, Melissa Etheridge, JOAN JETT, Sarah McLachlan, Panic Room, Karnataka.and HEART.ok, I trade in MP3s. A lilting French song, a twangy country-tinged tune and a punchy punk love ditty spiked the show with a freshness that was lacking in soporific grooves such as “Soothe Yourself,” from the band’s 1996 album, “Fever In Fever Out.” Parker has selected works whose dominant tones range from the luscious red. On “Bam Bam,” Cunniff encouraged the audience to yell, “Go,” and the interactive energy brought the music to a peak. Luscious Jackson hasnt toured or put out a fresh music video in 14 years, but they are now pushing out new music as Magic Hour, their first album since. MARGARITA GLUZBERG, DAVID GREIG, INTERNATIONAL LAWNS, MELANIE JACKSON. Everybody Loves a Train Written by David Hidalgo and Louie Perez (as Louis Pérez) Performed by Los Lobos Courtesy of Warner Bros.
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Still, frontwomen Jill Cunniff and Gabby Glaser-backed by vinyl-slinging deejay Alex Young and a talented percussionist-overcame lags with surprises. Fever In Fever Out finds Luscious Jackson peaking in their attempt to meld funk, French film music, lite rock, and Latin influences into a languid whole. Courtesy of Polydor, a Division of PolyGram France By Arrangement with PolyGram Film & TV Licensing. At the Palace on Thursday, the New York band underscored both its steamy, eclectic novelty and the weaknesses that sometimes transformed the great idea into dull monotony. As an all-woman underground team reshuffling new wave, hip-hop and disco, Luscious Jackson was a fine idea-a smart and streetwise jolt of flavor.